When Mahlangu began painting at the tender age of 10, she never thought that she would get to travel the world just by doing something that she loved.
“I am so grateful to the university management for the gifts given to me today. What they have done for me, they must do for others.
“If heaven was within reach, I would fly. I never thought that painting would work out so well. I got to travel the world just by doing something that I did out of love,” she added.
She was accompanied by members of her community, clad in traditional regalia.
Mahlangu, whose middle name is Nikwambi, was born in Middelburg, Mpumalanga, in 1935.
In an interview with News24 in September, shortly after she had been honoured with a mural in New York, the 82-year-old said her journey with her love for her culture and Ndebele artwork began when she was 10 years old, when she used to watch her mother and grandmother painting the outside walls of their home.
She longed to join them and when the pair took a break from painting, she would steal the paint and try her luck. But when they returned, she would be out of sight.
“They always said: ‘Don’t ever do that again, you are ruining things,'” she said.
The following day Mahlangu would do it again, and again she faced the wrath of her matriarchs.
Eventually, her mother and grandmother gave up and allocated Mahlangu a small space on the wall, which was away from the public, where she could practise drawing Ndebele patterns.
“I’d go there, sit on a tin with some chicken feathers and paint, paint and paint.”
Mahlangu added that her mother and grandmother inspected her work daily.
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“Eventually, they told me that my work was impressive and they called me to paint the front of the house, and I never looked back until I got married. In my culture, they used to say when you get married, you have to paint your first house yourself.”
On Monday evening, the university’s Vice-Chancellor and Principal Professor Tshilidzi Marwala said the university recognised Mahlangu’s legacy as a cultural entrepreneur who skilfully negotiated local and global worlds as an educator.
“As a visionary individual, she traversed what to others are insurmountable political barriers. In the late 1980s, when KwaNdebele and Moutse region erupted in anti-apartheid violence, she [broke] down barriers in her own way.
“During the time she was invited to participate in the groundbreaking Magiciens de la Terre exhibition, a significant achievement for a black female artist at the time.
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“The curators asked her to paint the walls of a life-size replica of her Mthambothini home for the exhibition… she would take the language of Ndebele art to the world.”
Marwala added that, in order to ensure the survival of the Ndebele arts, Mahlangu taught young people at her home.
READ MORE: Getting to know Esther Mahlangu
“She also shares her expertise via a project that aims to document Southern African visual culture as expression of a diversity of inherited local knowledge systems that date back to before the colonisation of Southern Africa.”
“Esther Mahlangu is a living example of how authentic African knowledge systems can be articulated meaningfully and sustainably.
“In her we have an icon worthy of being looked upon to by the next generation of creatives,” Marwala said.
He said the Faculty of Art, Design and Architecture was honoured to confer the degree of Philosophiae Doctor Honoris Causa upon Mahlangu.
– News24 Wire